Later, Scully confirms the Easterner's thoughts and says the Swede was nervous about coming to these parts. If he hadn't said Johnnie was cheatin' he'd be alive this minute. The Swede does this most dramatically by remaining silent and watching without interacting with the others. The cowboy and the Easterner exchanged glances of wonder. Why don't you throw 'im out in the snow? Analysis The final conversation between the Easterner and the cowboy explores the theme of fate versus free will. His desire to mask this fear confuses the other men, who don't understand his behavior. The Swede's actions are dictated by what he believes the West to be like, instead of what it really is.
In an effort to relieve the Swede's uneasiness, Scully tries to show him that he is a simple family man and has nothing to fear while in his care. The Myth and the The Blue Hotel The of the west that the Swede believed in derived not from his own overactive imagination, but rather from reading too many dime novels about the West. Several months pass, and the cowboy is in Dakota Territory, when the Easterner arrives with some mail and a newspaper. His voice rang through the room. Just as Crane never fought in a war but wrote one of the most vivid and poignant novels of the , Crane has deep biased in writing about the American West and the individuals there, as a provincially minded easterner. The main characters who have been altered by these intense emotions that will be discussed in this paper are Scully, the Swede, nature, the gambler, and finally the reader themselves. However, the Swede admits he's crazy and says he'll leave to avoid death.
And you—you were simply puffing around the place and wanting to fight. However, his comment about the danger of Western communities and his strange laughter indicate that these questions are all a ruse, and that he is in fact very fearful of the Palace Hotel and its occupants. The Easterner and the cowboy both feel sorry for the gambler. He instigates the action and acts antagonistically toward other characters. In the middle of the twentieth century, however, literary scholars began re-examining his body of work.
Scully, the owner, believes the Swede has lost his mind, as the booming town is about to install an electric streetcar, and that the Swede has read too many too many dime novels. Series Title: Responsibility: edited by Joseph Katz. His father must give up some protection of his son, and a Swede must prove his worth. Stephen Crane is known for his creation of stories about regular people, who experience extraordinary events for a brief time in their lives. Why, when he said that Johnnie was cheatin' and acted like such a jackass? The tensions created by this scenario come to a head, when the two must fight to prove they are worthy of the reputations of the West.
During the game, the Swede accuses Johnnie of cheating. Crane ends 'The Blue Hotel' with the revelation that Johnnie was in fact cheating. And then old Scully himself! It almost seems as though the story would have been perfectly complete without these divisions, but it seems as though these dividers break up the action so the reader can think about the deeper issues in each section instead of thinking about the story as a whole. Johnnie, the cowboy, and the Easterner maintained a morose silence, while old Scully appeared to be receptive and eager, breaking in constantly with sympathetic ejaculations. One of the reasons his audience is so varied from learned scholars to more common folk who enjoy pulp fiction is that his characters themselves are so varied.
In an innocent game of cards, this choice of staying silent turns deadly. How to Write a Research Paper on The Blue Hotel Summary This page is designed to show you how to write a research project on the topic you see to the left. A few months later, the cowboy and the Easterner meet up near the Dakota state line. Once the Swede comes into the saloon in his loud and drunken state, the reader concludes that there is going to be a confrontation of some kind. Crane is the author of novels but is best known for short stories such as The Blue Hotel. Usually there are from a dozen to forty women really involved in every murder, but in this case it seems to be only five men—you, I, Johnnie, old Scully, and that fool of an unfortunate gambler came merely as a culmination, the apex of a human movement, and gets all the punishment.
This poor gambler isn't even a noun. From the moment he arrived at the Palace Hotel, he was certain the proprietor, Pat Scully, his son, Johnnie, or one of the cowboy transients would murder him. After his death in 1900, his reputation went into decline, and his many other works were largely forgotten. At supper, the Swede devilishly examines the men as he stabs at the food, and the aggressive behavior continues after supper when the Swede bullies the men into playing cards. He lures train passengers to his hotel for business.
Due to the suddenness, readers struggle not to stumble as they try to fathom what is happening now. After this event, the Easterner, Johnny, and the Cowboy talk. He then calls the cowboy a fool and admits that he himself had been too afraid to say anything during the fight. And then in the saloon he fairly walked up to git hurt? The story takes an unexpected turn when Scully loses his control over the Swede after sharing his whiskey with him. Stranger gets off train in a sem-deserted little town in the days of the old west carrying with him his fear and suspicions of his fellow man.
He feels compelled to defend his personal integrity and challenges his accuser. I liked this one, great acting, and an interesting story. The complexity of the narrative of a young man, who gets in trouble during a stay at the Palace Hotel, was experimental and complex for its time. It also almost seems as though the Swede is trying to provoke a response especially at the saloon that fits into his version of what the Old West is supposed to be. It was the entry of two roisterers from a banquet-hall. The cowboy returned his pan of pork to the fire, but his philosophy continued.